The idea for the seed library came from a member of the library's paid staff.
Afficher la réponse
Bonne réponse : B — FALSE
Pourquoi ? Margaret Ilsley was a volunteer, not a paid member of staff, so the statement contradicts the passage.
Un test d'entraînement complet de 40 questions originales au format de l'épreuve IELTS Academic Reading : trois longs textes, sur les grainothèques, la vitesse de marche en ville et l'intérêt de laisser vieillir les archives, avec la plupart des types de questions officiels, dont True/False/Not given, Yes/No/Not given et l'attribution de titres aux paragraphes. Les textes et les questions sont en anglais, les consignes en français, et chaque réponse est expliquée en anglais. Dans le vrai test, vous écrivez vous-même les réponses à compléter ; ici, vous les choisissez parmi des propositions. Comptez 60 minutes, comme dans le vrai test.
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Read passage 1. Questions 1–6: do the statements agree with the information in the passage? Choose TRUE if the statement agrees, FALSE if it contradicts the passage, and NOT GIVEN if there is no information about it. Questions 7–10: complete the notes. Questions 11–13: choose the correct answer. In the real test you write the words for the notes yourself.Lisez le texte 1. Questions 1 à 6 : les affirmations correspondent-elles aux informations du texte ? Choisissez TRUE (vrai) si l'affirmation correspond, FALSE (faux) si elle contredit le texte, et NOT GIVEN (non mentionné) si le texte ne dit rien à ce sujet. Questions 7 à 10 : complétez les notes. Questions 11 à 13 : choisissez la bonne réponse. À l'examen, vous écrivez vous-même les mots des notes.
When the public library in the small market town of Wrenfield began lending seeds alongside books in the spring of 2009, few of its staff expected the scheme to last more than a season. The idea had come from Margaret Ilsley, a retired science teacher who volunteered at the library two mornings a week. She had noticed that many local gardeners were buying the same handful of commercial varieties every year, while older kinds of beans, squashes and tomatoes that had once been common in the district were quietly disappearing. Her proposal was simple: anyone with a library card could take home a few packets of seed, grow the plants, and at the end of the summer return a portion of the seeds they had saved from the healthiest specimens.
The first collection fitted into a single wooden card catalogue that the library had been about to throw away. Its small drawers, originally designed for index cards, turned out to be ideal for seed packets, and Ilsley labelled each one by plant family rather than alphabetically, so that borrowers would learn which crops were related. In the first year, ninety-four people borrowed seeds. Only thirty-one brought any back, and several of those returns were, in Ilsley's words, "more hope than seed": packets containing a few shrivelled specimens or, on one memorable occasion, a mixture of radish seeds and gravel.
Rather than abandon the project, the library changed its approach. It began running evening workshops on seed saving, a skill that most modern gardeners had never been taught. Participants learned that some vegetables, such as peas and lettuce, are relatively easy to save because their flowers usually pollinate themselves, so the next generation closely resembles the parent plant. Others, including squashes and sweetcorn, are pollinated by insects or wind and readily cross with neighbouring varieties, which means that seeds saved from them may produce something quite unexpected. The workshops encouraged beginners to start with the easier crops and to leave the more demanding ones to experienced members.
The change was striking. By the fourth season, returns had risen to around two-thirds of all loans, and the quality of the seed had improved considerably. A small group of volunteers began testing samples before they went back into the drawers. Their method was low-tech: ten seeds from each batch were placed on a damp paper towel, rolled up, and kept in a warm cupboard for a week. If fewer than six sprouted, the batch was not lent out. The volunteers kept careful records, and these notebooks now form a detailed history of which varieties have thrived in the town's heavy clay soil.
As news of the scheme spread, other libraries in the region contacted Wrenfield for advice. Ilsley and her colleagues produced a short guide, which they distributed free of charge, and within six years at least fourteen similar collections had opened, most of them in rural areas. Some were housed in libraries; others operated from schools, community centres and, in one case, a converted telephone box on a village green. Each collection adapted the Wrenfield model to local needs; one school-based library, for example, asked pupils to grow their borrowed seeds in the school garden rather than at home. The organisers met once a year to exchange surplus seed, a practice that helped each collection to become more varied and less dependent on a single local supply.
Not everyone welcomed the movement. Some commercial growers argued that informal seed exchanges could spread plant diseases, since home-saved seed is not inspected in the way that certified seed must be. Supporters accepted that the risk was real but argued that it was small, especially for crops grown in modest quantities in back gardens. The Wrenfield group responded by adding a section on recognising common seed-borne diseases to its workshops and by asking borrowers to note any signs of illness in the plants they had grown.
For many participants, the greatest benefit has little to do with gardening itself. Library staff report that the seed collection draws in people who had not used the library for years, and that the autumn return day has become one of the busiest social occasions in the town's calendar. Families come to swap seeds, compare harvests and, increasingly, exchange recipes. Ilsley, now in her eighties, is modest about her role. "I only provided the drawers," she says. "The gardeners did everything else." Yet she is clear about what she hopes the scheme will achieve: not a museum of old varieties, but a living collection that changes a little every year as plants adapt to the place where they are grown.
Texte d'entraînement inventé
Bonne réponse : B — FALSE
Pourquoi ? Margaret Ilsley was a volunteer, not a paid member of staff, so the statement contradicts the passage.
Bonne réponse : A — TRUE
Pourquoi ? The card catalogue was about to be thrown away, which matches 'planned to get rid of'.
Bonne réponse : C — NOT GIVEN
Pourquoi ? The passage says what Ilsley noticed about other gardeners, but nothing about her own garden, so the information is not given.
Bonne réponse : A — TRUE
Pourquoi ? Because peas and lettuce usually pollinate themselves, the next generation 'closely resembles the parent plant'.
Bonne réponse : B — FALSE
Pourquoi ? The test was 'low-tech', using a damp paper towel and a warm cupboard, which contradicts the idea of laboratory equipment.
Bonne réponse : C — NOT GIVEN
Pourquoi ? The passage says the guide was free, but says nothing about translations, so the answer is NOT GIVEN.
Bonne réponse : D — paper towel
Pourquoi ? The seeds are placed on 'a damp paper towel'. The other materials are not mentioned.
Bonne réponse : D — six
Pourquoi ? The rule is 'fewer than six'. Ten is the number of seeds tested, not the pass mark.
Bonne réponse : C — clay soil
Pourquoi ? The notebooks record which varieties have thrived in the town's 'heavy clay soil'.
Bonne réponse : A — surplus seed
Pourquoi ? The yearly meeting is for exchanging 'surplus seed', which makes each collection more varied.
Bonne réponse : B — as crops whose saved seeds may produce unexpected plants
Pourquoi ? Squashes and sweetcorn cross with other varieties, so their seeds 'may produce something quite unexpected'. The passage does not say they were refused or especially popular.
Bonne réponse : D — It added disease training and asked borrowers to check their plants.
Pourquoi ? The group added disease recognition to its workshops and asked borrowers to note signs of illness. Supporters 'accepted that the risk was real', so the last option is wrong.
Bonne réponse : C — a collection that keeps adapting to local conditions
Pourquoi ? Ilsley wants 'a living collection that changes a little every year', and explicitly not 'a museum of old varieties'.
Read passage 2. Questions 14–19: choose the correct heading for each paragraph from the list of headings (i–ix); there are more headings than paragraphs, and paragraph A is not tested. Questions 20–23: match each statement with the correct person (A–C); you may choose a person more than once. Questions 24–26: complete the sentences. In the real test you write the words yourself.Lisez le texte 2. Questions 14 à 19 : choisissez le bon titre pour chaque paragraphe dans la liste (i–ix) ; il y a plus de titres que de paragraphes, et le paragraphe A n'est pas évalué. Questions 20 à 23 : associez chaque affirmation à la bonne personne (A–C) ; une personne peut être choisie plusieurs fois. Questions 24 à 26 : complétez les phrases. À l'examen, vous écrivez vous-même les mots.
What a stopwatch and a measured stretch of pavement can reveal about the way we live in towns and cities.
Au choix :
Texte d'entraînement inventé
Bonne réponse : C — Agreeing on a way to measure
Pourquoi ? Paragraph B explains how researchers agreed on one standard method. Phones are mentioned only as one of the rules, not as a danger.
Bonne réponse : D — Population size is only part of the explanation
Pourquoi ? Paragraph C shows that city size explains only part of the difference in speed. The other headings describe change over time, other continents and visitors, none of which paragraph C discusses.
Bonne réponse : A — An explanation based on daily habit
Pourquoi ? Paragraph D explains fast walking through the daily habit of walking for practical reasons. It is about newcomers walking fast, not visitors walking slowly.
Bonne réponse : A — A financial explanation and its weaknesses
Pourquoi ? Paragraph E presents the economists' 'time is money' explanation and then the problems with it.
Bonne réponse : D — A gradual change over the years
Pourquoi ? Paragraph F describes a slow but consistent rise in walking speed over nine years. Headphones are mentioned only as a possible cause.
Bonne réponse : B — Applying the research at the roadside
Pourquoi ? Paragraph G shows how the research could change the timing of pedestrian crossings, a practical use of the findings.
Bonne réponse : C — C – Lena Mbeki
Pourquoi ? Lena Mbeki proposed longer crossing times near hospitals, schools and care homes.
Bonne réponse : A — A – Ines Albrecht
Pourquoi ? Albrecht's standard method says which walkers to time: adults alone, without heavy bags and not using a phone.
Bonne réponse : B — B – Tomasz Wierzba
Pourquoi ? Wierzba called the economic explanation 'plausible but unproven', that is, reasonable but not shown to be true.
Bonne réponse : A — A – Ines Albrecht
Pourquoi ? Albrecht says her data cannot show which factor caused the rise in walking speed. Mbeki made no such statement about her data.
Bonne réponse : C — twenty metres
Pourquoi ? The marked section is 'exactly twenty metres long'. Thirty-two is the number of towns in Wierzba's study.
Bonne réponse : B — went to work on foot or by public transport
Pourquoi ? The strongest predictor was the share of people travelling to work on foot or by public transport. Income is discussed in paragraph E, not as Wierzba's finding.
Bonne réponse : D — ten of the locations
Pourquoi ? Speeds rose at ten of the twelve locations. Six is the percentage of the rise, not a number of locations.
Read passage 3. Questions 27–31: do the statements agree with the views of the writer? Choose YES if the statement agrees with the writer's views, NO if it contradicts them, and NOT GIVEN if it is impossible to say what the writer thinks. Questions 32–35: choose the correct ending for each sentence. Questions 36–38: complete the summary using the list of words (A–I). Questions 39–40: choose the correct answer.Lisez le texte 3. Questions 27 à 31 : les affirmations correspondent-elles aux opinions de l'auteur ? Choisissez YES (oui) si l'affirmation correspond à ses opinions, NO (non) si elle les contredit, et NOT GIVEN (non mentionné) s'il est impossible de savoir ce qu'il pense. Questions 32 à 35 : choisissez la bonne fin pour chaque phrase. Questions 36 à 38 : complétez le résumé avec la liste de mots (A–I). Questions 39 et 40 : choisissez la bonne réponse.
Archivists have always been in the business of loss. For every letter, ledger or photograph that finds its way into a collection, thousands of others are discarded, burned, eaten by insects or simply forgotten in attics. Until recently, this attrition was regarded as a regrettable fact of life, something to be resisted where possible but ultimately beyond anyone's control. The arrival of cheap digital storage appeared to change that. For the first time, it seemed, a society could keep everything: every message, every draft, every blurred photograph of a forgotten lunch. Many institutions embraced the prospect enthusiastically, and the ambition of total preservation now shapes policy in libraries, universities and government departments in many countries.
I want to argue that this ambition is mistaken, and not merely because it is impractical. It is certainly impractical. Digital files are far more fragile than their reputation suggests: formats become obsolete, storage media degrade, and the software needed to open a document may vanish within a decade. Keeping digital material alive requires constant, expensive intervention, and the volume of material grows faster than the budgets of the institutions responsible for it. But even if these technical problems could be solved, I believe that indiscriminate preservation would be undesirable, both for historians and for the rest of us.
Consider first the historian's position. It is often assumed that more evidence must lead to better history. Yet anyone who has worked with large archives knows that abundance brings its own difficulties. When the papers of a nineteenth-century merchant survive in a few dozen boxes, a researcher can read them all and form a judgement. Gaps in such a collection are frustrating, but they are at least visible, and the historian can take them into account. When the digital records of a modern company run to millions of emails, no individual can read more than a tiny fraction, and the historian becomes dependent on search tools whose workings he or she may not fully understand. The archive becomes less a body of evidence than a haystack, and what is found depends heavily on what one already expected to find.
The historian Ruth Okonjo-Bell has described this as the "paradox of the complete record": the more that is kept, the less of it is actually used. Her study of how researchers used the electronic archive of a regional health authority found that, over a ten-year period, fewer than one in fifty of the stored files had been opened even once. Okonjo-Bell does not conclude that the remaining files are worthless. Her point is rather that their value cannot be realised without the kind of selection that archivists once carried out at the moment of acquisition, and which is now often postponed indefinitely.
This brings me to the second, and in my view more serious, objection. Selection is not simply a technical task; it is an act of judgement about what matters. When archivists choose what to keep, they are making decisions that later generations can examine and dispute. A policy of keeping everything does not remove such judgements; it merely hides them. Somebody must still decide how material is catalogued, which search terms are recognised and which collections receive funding for maintenance. These choices shape what future researchers will find just as surely as the old decisions about what to throw away, but they are rarely documented and almost never debated in public.
There is, finally, the question of privacy, which concerns everyone rather than just scholars. People have always said and written things that they would not wish to have preserved forever: hasty judgements, private grief, opinions they later abandoned. In the past, most of these traces faded naturally. Today they may persist indefinitely, attached to a person's name and retrievable in seconds. A careless remark made at twenty may be read by an employer at forty, stripped of the context that once made it understandable. Some legal systems have begun to recognise a limited right to have certain information removed, but such rights place the burden on individuals to discover and challenge each record. I would prefer an approach in which decay is the default and preservation must be justified, rather than the reverse.
Critics of this position raise an obvious objection: we cannot know in advance what future historians will find valuable. The diaries of ordinary people, once considered trivial, are now among the most prized sources for social history. Might we not be destroying the equivalent of those diaries? The concern is a serious one, and I do not dismiss it. But the answer, I think, is not to keep everything; it is to keep deliberately varied samples, chosen according to openly stated principles and reviewed at regular intervals. The economist Pavel Draganov has proposed something along these lines for business records, suggesting that firms be required to preserve a randomly selected portion of their correspondence alongside the documents they consider important. The proposal has attracted little enthusiasm from businesses, which fear the cost, but it has the merit of making the principle of selection explicit. Random sampling, he argues, protects against the biases of any single generation of archivists.
None of this means abandoning the effort to preserve the past. It means recognising that forgetting is not always a failure of memory but sometimes a condition of it. A record that keeps everything tells us very little; a record that has been shaped by careful, visible choices can tell us a great deal, including something about the people who made those choices.
Au choix :
Texte d'entraînement inventé
Bonne réponse : A — YES
Pourquoi ? The writer says digital files are 'far more fragile than their reputation suggests', so the writer agrees.
Bonne réponse : C — NOT GIVEN
Pourquoi ? The writer says what anyone who has worked with large archives knows, but never says whether he or she has done so personally.
Bonne réponse : B — NO
Pourquoi ? The writer rejects the assumption that more evidence means better history: abundance 'brings its own difficulties'.
Bonne réponse : A — YES
Pourquoi ? The writer wants decay to be the default and preservation to need a justification, which matches the statement.
Bonne réponse : B — NO
Pourquoi ? The writer says keeping everything 'does not remove such judgements; it merely hides them', which contradicts the statement.
Bonne réponse : D — very few of the stored files had ever been opened.
Pourquoi ? Fewer than one in fifty files had been opened even once, so very few had been used. Software problems are mentioned earlier but not in her study.
Bonne réponse : D — depends on selection, which is now often put off.
Pourquoi ? Their value needs selection, which is 'now often postponed indefinitely'. She explicitly does not say the files are worthless.
Bonne réponse : C — are seldom recorded or openly discussed.
Pourquoi ? Such choices are 'rarely documented and almost never debated in public'. The writer says they matter 'just as surely' as decisions to discard, so the second ending is wrong.
Bonne réponse : A — reduces the influence of one generation's preferences.
Pourquoi ? Random sampling 'protects against the biases of any single generation'. It is kept 'alongside' important documents, not instead of them.
Bonne réponse : B — total preservation
Pourquoi ? Digital storage seemed to let a society 'keep everything', which the writer calls 'total preservation'. Attrition (loss) is what archives suffered before.
Bonne réponse : D — obsolete
Pourquoi ? The writer says 'formats become obsolete', that is, out of date and no longer usable.
Bonne réponse : A — intervention
Pourquoi ? Digital material needs 'constant, expensive intervention' to stay usable.
Bonne réponse : C — to argue that keeping everything is neither practical nor desirable
Pourquoi ? The writer argues against total preservation, first on practical grounds and then because it would be undesirable even if it were possible.
Bonne réponse : D — by accepting it and recommending carefully varied samples
Pourquoi ? The writer calls the concern 'a serious one' and proposes keeping deliberately varied samples chosen on openly stated principles.
Consultez aussi le format officiel. Le site de l'IELTS propose des exemples de questions gratuits pour chaque épreuve (en anglais).